Jessy Razafimandimby

Jessy Razafimandimby (born in 1995, Madagascar) lives and works in Geneva and Marseille. He received his Bachelor’s degree in Visual Arts from the Geneva University of Art & Design (HEAD) in 2018.

His multidisciplinary production encompasses painting, drawing, installations, and performance. Often, these practices converge, finding the artist manipulating fragmented decorative objects and textiles, which extend the work beyond its frame. These extensions reveal a clash between sculpture and painting, staged by Razafimandimby.
The artist brings a world inherited from the past back to life, making reference to French cinema of the 1960s, jazz music, design, and postwar architecture. He pays particular attention to the history of interior decoration and ornamentation, as well as social conventions and the “good manners” traditionally linked to a conservative way of life and promoted by a classist bourgeois system.
Jessy Razafimandimby’s obsessions take place principally within the home, and the practice of the artist is accordingly criss-crossed with references to domesticity and collective memory. Coexisting in his paintings are human figures and animals - but also chimerical figures that express Razafimandimby’s utopic and dystopic projections. These seem at times to merge, to mutate into new and complex forms that reveal the artist’s interest in the question of becoming. It is not as much what we become, as with whom we become it - the collective experience - that Razafimandimby interrogates.
The figures detailed by the artist are extracted from a pictorial space in which they could be contained, and projected into a present, sensorial space, that of the exhibition. In such a way, he conceives joyously disordered, agitated environments, inspired by fictional domestic environments inhabited by strange masses of objects and drapery, ghostly in affect.
These territories are inhabited by Razafimandimby’s fictional hosts, becoming a vestigial space in which the artist engages physically, employing the household as a metaphorical framework to question notions of taste, belonging, and power. He interrogates the ability of humans to construct relations with their environment, at times merging with it. These relations are imbued with attention, tenderness, and confusion.

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Jessy Razafimandimby is a winner of the Kunstpreis Kiefer Hablitzel 2021 - Swiss Art Awards.

Selected solo exhibitions include Hakanto Contemporary, Antananarivo (2024); Valentin 61, Lausanne (2022); Sans titre, Paris (2024 & 2022); Art au Centre, Geneva (2021); 13 vitrine, Renens (2021); Espace HIT, Geneva (2021); Arsenic, Lausanne (2020); 1.1., Basel (2020).

Razafimandimby has participated in group exhibitions at C L E A R I N G, New York (2024); Dortmunder Kunstverein (2024); Tabula Rasa, Beijing (2024); Fonds d’Art de la commune de Plan-les-Ouates, HiFlow, Geneva (2024); KNMA - Kiran Nadar Museum of Art, New Delhi (2023); the 6th edition of the Dhaka Art Summit, Bangladesh (2023); Castle Gallery, Los Angeles (2023); Forde, Geneva (2023); Sans titre, Paris (2024 & 2022); June, Berlin (2022); Walgreens windows - The Bass Museum of Art, Miami Beach (2021); La Biennale Architettura, Venice (2021); Urgent Paradise, Lausanne (2021); La Vraie Vie (with Niels Trannois), Geneva (2021); Centre d’Art Contemporain Geneva (2021); La Becque, La Tour-de-Peilz (2020); Limbo Space, Geneva (2020); WallRiss, Fribourg (2019); Alienze, Lausanne (2018).

His performances have been held at MAH - Musée d’art et d’histoire, Geneva as part of the residency program “Masswascut”, curated by Anissa Touati (2024); Centre d’Art Contemporain, Geneva (2021); Bad House Performance Festival, Mad House, Helsinki (2021); La Becque, La Tour-de-Peilz (2020); Arsenic, Lausanne (2019).

Razafimandimby’s work is featured in the collection of Zhi Art Museum, Chengdu.